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Презентация на тему: Thomas Gainsborough and Sir Joshua Reynolds

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Thomas Gainsborough (Christened 14 May 1727 – 2  August 1788 )

Sir Joshua Reynolds (•16 July 1723 – 23 February 1792 )

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«Презентация на тему: Thomas Gainsborough and Sir Joshua Reynolds»

Thomas Gainsborough Sir Joshua Reynolds Saratov

Thomas Gainsborough Sir Joshua Reynolds

Saratov

Thomas Gainsborough Christened 14 May 1727 – 2 August 1788

Thomas Gainsborough

Christened 14 May 1727 – 2 August 1788

born in Sudbury, Suffolk;  was a prominent British portrait and landscape painter;  the son of John Gainsborough, a cloth merchant;  he soon evinced a marked inclination for drawing;  had no special education in painting in Italy;  was called a self-taught artist;
  • born in Sudbury, Suffolk;

  • was a prominent British portrait and landscape painter;

  • the son of John Gainsborough, a cloth merchant;

  • he soon evinced a marked inclination for drawing;

  • had no special education in painting in Italy;

  • was called a self-taught artist;
English countryside as a background;  started using broken brush strokes;  used the colour scheme where green, gray and blue predominate;  realistic style;  had no pupils but many successes followers;
  • English countryside as a background;

  • started using broken brush strokes;

  • used the colour scheme where green, gray and blue predominate;

  • realistic style;

  • had no pupils but many successes followers;
‘ Robert Andrews and Mary, his Wife’

‘ Robert Andrews and Mary, his Wife’

‘ The Morning Walk’  an oil painting;  full-length portrait;  arranged symmetrically in a vertical format;  the sitters are represented standing against an English landscape background;  the colour scheme where blue, gray and green are prevailing;  lyrical and romantic in tone and atmosphere

‘ The Morning Walk’

  • an oil painting;

  • full-length portrait;

  • arranged symmetrically in a vertical format;

  • the sitters are represented standing against an English landscape background;

  • the colour scheme where blue, gray and green are prevailing;

  • lyrical and romantic in tone and atmosphere

 ‘ Duchess of Beaufort’ an oil painting;  half-length portrait;  arranged symmetrically in a pyramid and vertical formats;  the sitter is represented sitting;  the brilliant colour scheme where blue and gray predominate;  the sitter’s contours are emphasized purposely;  lyrical and poetic in tone and atmosphere

‘ Duchess of Beaufort’

  • an oil painting;

  • half-length portrait;

  • arranged symmetrically in a pyramid and vertical formats;

  • the sitter is represented sitting;

  • the brilliant colour scheme where blue and gray predominate;

  • the sitter’s contours are emphasized purposely;

  • lyrical and poetic in tone and atmosphere

‘ Mrs. Richard Brinsley Sheridan’ an oil painting;  full-length portrait;  arranged asymmetrically in a vertical format;  the sitter is represented sitting against the landscape background;  we can divide the picture space diagonally;  the brilliant colour scheme where blue, green and gray predominate;  the sitter and the background merge into a single entity;  a marvelous sense of colour and composition;

‘ Mrs. Richard Brinsley Sheridan’

  • an oil painting;

  • full-length portrait;

  • arranged asymmetrically in a vertical format;

  • the sitter is represented sitting against the landscape background;

  • we can divide the picture space diagonally;

  • the brilliant colour scheme where blue, green and gray predominate;

  • the sitter and the background merge into a single entity;

  • a marvelous sense of colour and composition;

‘ The Painter’s Daughters Teasing a Cat’ an oil painting;  half-length portrait;  arranged symmetrically in a vertical format;  the sitters are represented against an open sky;  the colour scheme where blue, and gray are prevailing;  Gainsborough combined form and colour into harmonious unity;  the colours are restful, hot and delicate;  moving and lyrical in tone and atmosphere

‘ The Painter’s Daughters Teasing a Cat’

  • an oil painting;

  • half-length portrait;

  • arranged symmetrically in a vertical format;

  • the sitters are represented against an open sky;

  • the colour scheme where blue, and gray are prevailing;

  • Gainsborough combined form and colour into harmonious unity;

  • the colours are restful, hot and delicate;

  • moving and lyrical in tone and atmosphere

Sir  Joshua Reynolds 16 July 1723 – 23 February 1792

Sir  Joshua Reynolds

  • 16 July 1723 – 23 February 1792
- Sir Joshua Reynolds was born in Plympton, Devon;   - was an influential, fashionable English painter of the 18 th century;   - was very well educated in art; spent 3 years in Italy;   - posed the figures against the traditional Italian background;   - the color scheme is classical where red, brown and yellow tones predominate;   - used smooth brush strokes;

- Sir Joshua Reynolds was born in Plympton, Devon; - was an influential, fashionable English painter of the 18 th century; - was very well educated in art; spent 3 years in Italy; - posed the figures against the traditional Italian background; - the color scheme is classical where red, brown and yellow tones predominate; - used smooth brush strokes;

- highly-elevated style;  - painted as many as 3 thousand portraits;  - was the first President of the Royal Academy of Art;  - painted for the King and was knighted by George III;  -had many pupils and followers. *

- highly-elevated style;

- painted as many as 3 thousand

portraits;

- was the first President of the

Royal Academy of Art;

- painted for the King and was

knighted by George III;

-had many pupils and

followers.

*

  ‘ Miss Nelly O'Brien’ oil on canvas portrait; arranged symmetrically in a pyramid and vertical format; the sitter is represented sitting; a low-keyed color scheme where cool, restful and hot colors predominate; the sitter and the background merge into a single entity; contours emphasized purposely; lyrical and poetic in tone and atmosphere

‘ Miss Nelly O'Brien’

  • oil on canvas portrait;
  • arranged symmetrically in a pyramid and vertical format;
  • the sitter is represented sitting;
  • a low-keyed color scheme where cool, restful and hot colors predominate;
  • the sitter and the background merge into a single entity;
  • contours emphasized purposely;
  • lyrical and poetic in tone and atmosphere
 ‘ The Young Hair’ oil on canvas portrait; arranged symmetrically in a vertical format; the sitter is represented sitting; the brilliant color scheme where brown and yellow predominate; the sitter and the background merge into a single entity; contours emphasized purposely; lyrical and romantic in tone and atmosphere

‘ The Young Hair’

  • oil on canvas portrait;
  • arranged symmetrically in a vertical format;
  • the sitter is represented sitting;
  • the brilliant color scheme where brown and yellow predominate;
  • the sitter and the background merge into a single entity;
  • contours emphasized purposely;
  • lyrical and romantic in tone and atmosphere
‘ Colonel Tarleton’ -oil painting; -a full-length portrait; -a low-keyed color scheme where cool, restful, hot and soft colors predominate; -arranged symmetrically in a vertical format; -the sitter is represented standing; -contours emphasized purposely; -a marvelous sense of color and composition; -an unsurpassed masterpiece

‘ Colonel Tarleton’

-oil painting;

-a full-length portrait;

-a low-keyed color scheme where cool, restful, hot and soft colors predominate;

-arranged symmetrically in a vertical format;

-the sitter is represented standing;

-contours emphasized purposely;

-a marvelous sense of color and composition;

-an unsurpassed masterpiece

‘ Lady Elizabeth Delme and Her Children’ -oil painting; -a family group full-length portrait; -arranged symmetrically in a pyramid and vertical format; -the sitter’s contours are emphasized purposely; -traditional Italian background; -a low-keyed color scheme where cool, restful, hot and soft colors predominate; -lyrical and poetic in tone and atmosphere; -an unsurpassed masterpiece

‘ Lady Elizabeth Delme and Her Children’

-oil painting;

-a family group full-length portrait;

-arranged symmetrically in a pyramid and vertical format;

-the sitter’s contours are emphasized purposely;

-traditional Italian background;

-a low-keyed color scheme where cool, restful, hot and soft colors predominate;

-lyrical and poetic in tone and atmosphere;

-an unsurpassed masterpiece

‘ The Strawberry Girl’ -oil on canvas portrait; -arranged symmetrically in a vertical format; -the sitter is represented standing; -contours emphasized purposely; -the brilliant color scheme where brown and yellow predominate; the sitter and the background merge into a single entity; -moving and lyrical in tone and atmosphere;

‘ The Strawberry Girl’

-oil on canvas portrait;

-arranged symmetrically in a vertical format;

-the sitter is represented standing;

-contours emphasized purposely;

-the brilliant color scheme where brown and yellow predominate;

  • the sitter and the background merge into a single entity;

-moving and lyrical in tone and atmosphere;

‘ The Blue Boy’ ‘The Brown Boy’

‘ The Blue Boy’ ‘The Brown Boy’

  ‘ Mrs Siddons ‘ ‘ Mrs. Siddons as the Tragic Muse’

‘ Mrs Siddons ‘ ‘ Mrs. Siddons as the Tragic Muse’