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Shakespeare: His Life and Times

Shakespeare: His Life and Times

Early Life Born 1564—died 1616 Stratford-upon-Avon Parents: John and Mary Arden Shakespeare Mary—daughter of wealthy landowner John—glovemaker, local politician Mary—daughter of wealthy landowner John—glovemaker, local politician

Early Life

  • Born 1564—died 1616
  • Stratford-upon-Avon
  • Parents: John and Mary Arden Shakespeare
  • Mary—daughter of wealthy landowner John—glovemaker, local politician
  • Mary—daughter of wealthy landowner
  • John—glovemaker, local politician
Location of Stratford-upon-Avon

Location of Stratford-upon-Avon

Stratford-on-Avon in Shakespeare’s Time  As reproduced in William Rolfe, Shakespeare the Boy (1896).

Stratford-on-Avon in Shakespeare’s Time

As reproduced in William Rolfe, Shakespeare the Boy (1896).

Stratford-upon-Avon Today

Stratford-upon-Avon Today

Shakespeare’s Birthplace

Shakespeare’s Birthplace

Education  Probably attended King’s New School in Stratford Educated in: Rhetoric Logic History Latin Rhetoric Logic History Latin Rhetoric Logic History Latin

Education

  • Probably attended King’s New School in Stratford
  • Educated in:
  • Rhetoric Logic History Latin
  • Rhetoric Logic History Latin
  • Rhetoric
  • Logic
  • History
  • Latin
King’s New School

King’s New School

 Married Life Married in 1582 to Anne Hathaway, who was pregnant at the time with their first daughter Had twins in 1585 Sometime between 1585-1592, he moved to London and began working in theatre.

Married Life

  • Married in 1582 to Anne Hathaway, who was pregnant at the time with their first daughter
  • Had twins in 1585
  • Sometime between 1585-1592, he moved to London and began working in theatre.
Anne Hathaway’s Cottage

Anne Hathaway’s Cottage

 Theatre Career Member and later part-owner of the Lord Chamberlain’s Men, later called the King’s Men Globe Theater built in 1599 by L.C.M. with Shakespeare as primary investor  Burned down in 1613 during one of Shakespeare’s plays

Theatre Career

  • Member and later part-owner of the Lord Chamberlain’s Men, later called the King’s Men
  • Globe Theater built in 1599 by L.C.M. with Shakespeare as primary investor
  • Burned down in 1613 during one of Shakespeare’s plays
The Rebuilt Globe Theater, London

The Rebuilt Globe Theater, London

The Globe Theater

The Globe Theater

The Plays 38 plays firmly attributed to Shakespeare 14 comedies 10 histories 10 tragedies 4 romances 14 comedies 10 histories 10 tragedies 4 romances 14 comedies 10 histories 10 tragedies 4 romances Possibly wrote three others Collaborated on several others

The Plays

  • 38 plays firmly attributed to Shakespeare
  • 14 comedies 10 histories 10 tragedies 4 romances
  • 14 comedies 10 histories 10 tragedies 4 romances
  • 14 comedies
  • 10 histories
  • 10 tragedies
  • 4 romances
  • Possibly wrote three others
  • Collaborated on several others
    The Poetry  Two major poems Venus and Adonis Rape of Lucrece Venus and Adonis Rape of Lucrece Venus and Adonis Rape of Lucrece 154 Sonnets Numerous other poems

    The Poetry

    • Two major poems
    • Venus and Adonis Rape of Lucrece
    • Venus and Adonis Rape of Lucrece
    • Venus and Adonis
    • Rape of Lucrece
    • 154 Sonnets
    • Numerous other poems
    Shakespeare’s Language  Shakespeare did NOT write in “Old English.”   Old English is the language of Beowulf: Hwaet! We Gardena in geardagum Þeodcyninga Þrym gefrunon Hu ða æÞelingas ellen fremedon! Hwaet! We Gardena in geardagum Þeodcyninga Þrym gefrunon Hu ða æÞelingas ellen fremedon!

    Shakespeare’s Language

    • Shakespeare did NOT write in “Old English.”
    • Old English is the language of Beowulf:

    Hwaet! We Gardena in geardagum

    Þeodcyninga Þrym gefrunon

    Hu ða æÞelingas ellen fremedon!

    • Hwaet! We Gardena in geardagum Þeodcyninga Þrym gefrunon Hu ða æÞelingas ellen fremedon!
    Shakespeare’s Language  Shakespeare did not write in “Middle English.”   Middle English is the language of Chaucer, the Gawain -poet, and Malory: We redeth oft and findeth y-write— And this clerkes wele it wite— Layes that ben in harping Ben y-founde of ferli thing… ( Sir Orfeo ) We redeth oft and findeth y-write— And this clerkes wele it wite— Layes that ben in harping Ben y-founde of ferli thing… ( Sir Orfeo )

    Shakespeare’s Language

    • Shakespeare did not write in “Middle English.”
    • Middle English is the language of Chaucer, the Gawain -poet, and Malory:

    We redeth oft and findeth y-write—

    And this clerkes wele it wite—

    Layes that ben in harping

    Ben y-founde of ferli thing… ( Sir Orfeo )

    • We redeth oft and findeth y-write— And this clerkes wele it wite— Layes that ben in harping Ben y-founde of ferli thing… ( Sir Orfeo )
    Shakespeare’s Language  Shakespeare wrote in “Early Modern English.”  EME was not very different from “Modern English,” except that it had some old holdovers.

    Shakespeare’s Language

    • Shakespeare wrote in “Early Modern English.”
    • EME was not very different from “Modern English,” except that it had some old holdovers.
    Shakespeare’s Language  Shakespeare coined many words we still use today:  Critical  Majestic  Dwindle  Critical  Majestic  Dwindle  And quite a few phrases as well:  One fell swoop  Flesh and blood  Vanish into thin air  One fell swoop  Flesh and blood  Vanish into thin air

    Shakespeare’s Language

    • Shakespeare coined many words we still use today: Critical Majestic Dwindle
    • Critical
    • Majestic
    • Dwindle
    • And quite a few phrases as well: One fell swoop Flesh and blood Vanish into thin air
    • One fell swoop
    • Flesh and blood
    • Vanish into thin air
    Shakespeare’s Language  A mix of old and very new  Rural and urban words/images  Understandable by the lowest peasant and the highest noble

    Shakespeare’s Language

    • A mix of old and very new
    • Rural and urban words/images
    • Understandable by the lowest peasant and the highest noble
    Elizabethan Theatrical Conventions

    Elizabethan Theatrical Conventions

    A theatrical convention is a suspension of reality.  No electricity  Women forbidden  to act on stage  Minimal, contemporary  costumes  Minimal scenery These control the dialogue.

    A theatrical convention is a

    suspension of reality.

    • No electricity
    • Women forbidden

    to act on stage

    • Minimal, contemporary

    costumes

    • Minimal scenery

    These control the dialogue.

     Soliloquy  Aside Types of speech  Blood and gore  Use of supernatural Audience loves to be scared.
    • Soliloquy
    • Aside

    Types of speech

    • Blood and gore
    • Use of supernatural

    Audience loves to be scared.

     Use of disguises/  mistaken identity  Last speaker—highest in  rank (in tragedies)  Multiple murders  (in tragedies)  Multiple marriages  (in comedies)
    • Use of disguises/

    mistaken identity

    • Last speaker—highest in

    rank (in tragedies)

    • Multiple murders

    (in tragedies)

    • Multiple marriages

    (in comedies)